Thursday, July 31, 2008

Video: Vampire Weekend - "Cape Cod Kwassa Kwassa"

Cape Cod Kwassa Kwassa


It feels so natural/Tim Burton Wes Anderson Robert Smith/Peter Gabriel, too.

Vampire Weekend MySpace Page

(Jonathan Graef)

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Monday, May 05, 2008

New Vampire Weekend - "Ladies of Cambridge" (Live on MySpace Transmissions)




MySpace has a video series called Transmissions, in which bands play their music and are interviewed in a comfortable setting. The concept isn't anything new, but, hey, the more, the merrier, right? Right. The band that stopped by most recently was Vampire Weekend, who not only performed three songs from their eponymous debut album, but also performed a "new" song called "Ladies of Cambridge." Why the quotation marks? Because "Ladies of Cambridge" is really, in fact, "Boston" from the Blue CD-R demo that made the internet rounds. Still, it's new material to someone out there. As for the song itself, "Cambridge" is a little more upbeat and ska-influenced than their other songs, but still has that combination of effortless, breezy melodicism and utterly irritating quirks-for-the-sake-of-quirks (Ezra Koenig's vocal inflections make me want to punch myself in the head repeatedly).

Watch the video for "Ladies of Cambridge" at the top of the post. Listen and watch the rest of Transmissions here.

Vampire Weekend MySpace Page

(Jonathan Graef)

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Thursday, April 03, 2008

Tonight in Minneapolis: Vampire Weekend; Dallas Orbiter



Download: Vampire Weekend - "A-Punk"
Download: Vampire Weekend - "M79"
Download: Yacht - "The Summer Song"

The show that we wrote about in passive-aggressive fashion has come to fruition. Buzz band Vampire Weekend, having miraculously recovered from their werewolf attack in Salt Lake City (note to reader LauraLee: Thank God you're alright!) to play a sold-out show at the Triple Rock. Doors are at 9 p.m. for an 18+ show.

Since they've burst onto the consciousness of the blog underground via a post on Stereogum, it's been almost impossible to listen to Vampire Weekend in a wholly objective manner, i.e., without being annoyed at the massive amount of hype hoisted upon the band's shoulders. The fact that the New York-based quartet both refer to their afro-pop appropriating ancestors, as well as their supposedly privileged backgrounds in (not-so?) tongue-in-cheek fashion on "Cape Cod Kwassa Kwassa" certainly doesn't help their cause either. That said, every cut on their self-titled debut album, while reeking of cloying precociousness, contains well-crafted, instantly hummable music. In other words, have fun trying to get these songs, whether its the aristocratic chamber-pop of "M79" or the afro-indie-punk of "A-Punk", out of your head for the next year-and-a-half. In sum, while listening to Vampire Weekend is, at times, like having harsh indie poured directly into your eyes, the experience is about as smooth, breezy and pleasant as one could hope for.

Yacht Opens

Vampire Weekend MySpace Page



Download: Dallas Orbiter - "The Damocles File"
Download: Dallas Orbiter - "Ampbuzz Is For Lovers"
Download: Two Dark Birds - "Blown"

The music of Minneapolis quartet Dallas Orbiter contains so many well-known art-rock references--the claustrophobic melodicism of Radiohead, the orchestral, synthesized flourishes of Grandaddy, the schizo-funk of the Talking Heads--that one might think that the group's debut effort, this year's The Motorcycle Diagrams, would have nothing to offer but obtuse self-indulgence. And you would be so, so, so wrong. With lyrics referencing science-fiction and Greek/Roman mythology, Dallas Orbiter create insanely compelling pop music within the parameters of their more idiosyncratic muses. Songs like "Caspian", "The Damocles File" and "Brow of Zeus" are structured like pop songs, and have great melodies, but also contain nods to trip-hop, space-rock and jazz which help give the material a greater dimension that it would have had otherwise. Upon multiple listens, the band's psychedelic world becomes a miracle, despite the band's insistence otherwise. (Is it too late to retroactively bump that B+ to an A-?)

Dallas Orbiter play a 21+ show at the Entry. Doors are at 8 p.m. and tickets cost $6.

Opening are Two Dark Birds and Mike Wisti.

Dallas Orbiter MySpace Page

(Jonathan Graef)

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Tuesday, April 01, 2008

Vampire Weekend Devoured By Werewolves

A tragedy occured yesterday in the indie-rock community, one so bizarrely ironic that those who witnessed it will surely not forget it. Vampire Weekend, who earlier this year released a self-titled debut album to much acclaim from fans, bloggers, and some critics, were savagely eaten by a rogue gang of werewolves at their March 31st show in Salt Lake City, Utah. Witnesses report that the attack was swift and merciless, with those in the front row trying to warn the band of their impending doom, to no avail.

"It was so, so horrible" stated concertgoer Emma Ceasby. "It was worse than hipster irony, which is merely a synonym for being overtly clever or tongue-in-cheek. It was actual irony. I don't think anyone expected Vampire Weekend's demise to be this way. Maybe by the unreasonable expectations hoisted upon their second record, but not by fucking werewolves of all things."

Details are still unreliable, but all who saw the carnage agree on this: The band was in the midst of perfoming, when dark shadows drew closer and closer to the group.

"I think they were performing 'Walcott'--to be honest, not one of my favorite songs from the record. The Blue CD-R version is sooo much better" explained fan Darren "Spooner" Witherspoon. "All of a sudden, these really dark shadows started appearing on the curtain behind them. At first, I thought it was a lighting trick, or especially industrious music bloggers trying to get bootleg recordings. But then Ezra's (Koening, vocals/guitar) spine knocked the bottle of PBR right out of my hand. At that point, I decided it was a good idea to leave."

Amongst the victims are: drummer Chris Tomson, who was beaten to death with his own tom-toms before being swallowed whole; bassist Chris Baio, who was impaled through the forehead with a 1973 Fender Precision bass; keyboardist Rostam Batmanglij, who was eviscerated in half with the very same scarf he wore a few weeks back during the band's "Saturday Night Live" appearence; and Koening, who was so throughly decapitated that he had the same quizzical expression on his face that he normally wears at performance time. Police were still searching for the spine that allegedly knocked over Witherspoon's beer.

Those who were closest to the band were still trying to make sense of the awful massacre.

"I don't even know why werewolves would go to a Vampire Weekend show, let alone eat them!" said band manager Tod Browning. "Perhaps they thought they were going to actually meet vampires, and then got really angry when they saw that it was just four dudes from Columbia College. Either way, this is terrible. I miss the band dearly."

Even though those who were responsible for the slayings are still at large, there is no reason to panic, at least according to those who know both music and werewolves very well.

"The demon wolf is not evil, unless the man he has bitten is evil" said New Yorker music critic and part-time werewolf hunter Sasha Frere-Jones. "Fortunately, for music fans, the only people bitten were proveyors of slightly pleasent, but very gimmicky, afro-indie-pop music. The worse they could have done, if they had survived, is gone after Peter Gabriel. But, as history as shown us, his rhythm section has got a motherfucker of a kung-fu grip. I have no doubts that the wolves would have been defeated."

Despite the supposed lack of threat, Jones said that he will spend his remaining days tracking down the beasts responsible for the killings, using a assembled team of rag-tag music critics and part-time werewolf hunters. Amongst the chosen are Jim DeRogatis of the Chicago Sun-Times and Jessica Hopper of the Chicago Reader.

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Tuesday, March 11, 2008

Carleton College Assholes Cover Vampire Weekend's "Oxford Comma"


(YouTube via Sterogum)

So let me get this straight: Carleton College has an a-capella choir that covers Super Furry Animals, Beirut, and Timbaland and all St. Olaf, my beloved alma matter and Carleton College rival, can put together is...The Limestones? Seriously? Is This happening? Argh! Somebody get a copy of the new Mountain Goats album to the 'Stones, Stat!

For shame, St. Olaf. For. Shame.

Carleton Singing Knights MySpace Page

(Jonathan Graef)

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Monday, March 10, 2008

Vampire Weekend Transcend All of Music and Humanity on "Saturday Night Live"


("A-Punk", Live on "Saturday Night Live")
(Red Lasso via Forkcast)


("M79", Live on "Saturday Night Live")
(Red Lasso via Forkcast)

Clips of music saviours (praise be to Chris Thompson and his ascension drum fill!) Vampire Weekend's performance from this past weekend's "Saturday Night Live", which was only the second post-writer's strike episode, have been coming and going on YouTube at an alarming rate. Luckily, Redlasso has got us covered, so we can all watch the Brooklyn-based, highly buzzed quartet perform their celestial tunes--a blend of rock and West African pop music which will surely divide musical eras into two parts: B-VW and A-VW.

All snark aside, the group clearly has an infectious, energetic stage presence that translates even on the small (or, in our case, smaller) screen, and the band more than adequately performs two of the better songs from its self-titled debut. Watch clips of "M79" and "A-Punk" at the top of the post.

Vampire Weekend MySpace Page

(Jonathan Graef)

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Monday, February 11, 2008

Vampire Weekend Announce Minneapolis Date



Download: Vampire Weekend - "Cape Cod Kwassa Kwassa"

Remember that band from New York we wrote about a little while ago? The nice, young group who played the David Letterman show just last week? Apparently, they're playing the Triple Rock on April 3rd. The show is 21+ and tickets are on sale now and they will set you back about $12, not including service fees.

I say good for them! It looks like this band is getting more and more popular by the day, as they are on quite the world tour right now. Who knows the levels of success that they'll achieve? Heck, they might even be reviewed on Pitchfork.

MySpace Page

(Jonathan Graef)

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Monday, February 04, 2008

Video: Vampire Weekend On "Late Show With David Letterman"



Some band from New York played the "Late Show With David Letterman" on Friday. Apparently, there's been some discussion about the group in recent times. Did they put an album out last week? Somebody want to shed some light on this for me? Anyone? Anyone at all?

Vampire Weekend MySpace Page

(Jonathan Graef)

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Thursday, January 31, 2008

Vampire Weekend - Vampire Weekend



Vampire Weekend
Vampire Weekend (XL recordings, 2008)
Grade: B-

Download: Vampire Weekend - "Mansard Roof"
Download: Vampire Weekend - "A-Punk"

At this point, it almost seems superfluous to write a review of Vampire Weekend. In the month, or even year, or so before the release of this album, the hype around this record sprouted legs and ran for the sea.

So does it live up to the glut of blog buzz behind it? Yeah. Sure it does.

The first four tracks are fun little pop songs. "Mansard Roof" and "Oxford Comma" and "A-Punk" find lead singer Ezra Koening belting like a punkier Paul Simon over palatable jangle pop. I've never been a huge fan of Paul Simon, but even I can appreciate the solid construction and bouncing pop in the first part of the album.

At other times, such as on "Campus," the V-Dubs channel a little bit of Belle & Sebastian in their clean, but still a little punky, twee. But the band describes themselves as "Upper West Side Soweto" for a reason. Well, several, I suspect. The first is that they're from New York. The second is that they're so multi-cultural.

And they cannot wait to cram those facts down your throat. "Cape Cod Kwassa Kwassa" is a fun song; it's sunny and warm and brings a bit of heat to Minnesota (wind chill is -44 as I'm writing this). But at the same time, one can't help but feel talked down to by this song. It's a risk-free pop song groping for cred with its African drums and Clap Your Hands-esque howls while still retaining an unironic and unabashed pop feel, characteristics which really set the tone for the rest of the album.

Lyrically, they've achieved a smooth blend of mild wit and sweet vulnerability (that's only kind of a compliment, in case you were wondering). But at the same time, it's really just a fun album. To decide to work with the afropop sound is a bold move, one that is going to instantly make people think of Paul Simon and David Byrne. Unfortunately, they left a lot of unrealized potential when they decided to basically mimic Paul Simon. The drums are pretty solidly woven into the songs, but they don't really take them anywhere new or exciting.

Overall, Vampire Weekend is a good starting point. This album gave them a solid base from which to grow. I think as the guys get more comfortable in the limelight (let's hope the massive amount of attention they've received doesn't swell their heads too bad), they have the potential to produce some really cool stuff if they're just willing to leave their safety zone a little more.

Vampire Weekend MySpace Page

(April Wright)

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