The Mountain Goats - Heretic Pride

The Mountain Goats
Heretic Pride (4AD, 2008)
Grade: B-


Download: The Mountain Goats - "Sax Rohmer #1"
Download: The Mountain Goats - "Lovecraft In Brooklyn"


Mountain Goats singer-songwriter John Darnielle has always been best as a deranged observer, breaking hearts and puncturing egos with acerbic wit and howling with the voice of someone teetering on the brink. I have this shining image in my head of Darnielle drunkenly grasping at air while whisper-singing his way though Get Lonely a year and a half ago at the Triple Rock. With this vision in mind, Heretic Pride just doesn't have the vulnerability and personal touch of previous albums.

And that's a problem. Darnielle's genius doesn't lie in his amazing arrangements, his ability to shred or his good looks. He's a poet, and his strength comes from taking a subject that touches a nerve with most people and teasing it up with poetry until the listener is left with a stylized, but raw peek at the world as Darnielle dreams it. On Heretic Pride, Darnielle nails stylization, but sometimes, his weak delivery wins out over his lyrical brilliance.

John Darnielle is a captivating person to watch and listen to, but not because he has a good voice. Much like Jeff Mangum, the strength of Darnielle's voice isn't in its quality, but in how he uses it. His voice is built for passionate growls that bleed with intensity. It's made for singing poetry that speaks to the very core of your being. When I heard Darnielle making an earnest attempt to sing smooth over power-popper "Autoclave," I felt a little sick. I don't like hearing Darnielle sound so cavalier when babbling on about a throne of skulls. Where's the raw shake? The quivering voice of a man on the edge of saying "Fuck it" and driving off a cliff? It's almost like Darnielle is devolving as an artist from someone who was comfortable with his flaws to someone afraid to be chastised.

The album is dressed up in instrumentation to a greater degree than any other Mountain Goats album in the past. Unfortunately, Darnielle has never been a great musician. He's a competent songwriter with a great ear for melody, but has never been very good at arranging a diverse array of instruments. Like on The Sunset Tree, some of the arrangements are very solid, but others fall back on kitschy pop-rock territory. A good example of this is the opening to "San Bernadino," which sounds like a track off of any of the Mountain Goats' past couple albums with a U2 guitar line plunked in. There's a ghosting of the type of melodies that made Tallahasee and All Hail West Texas two of my favorite albums of all time, which is encouraging, but the instrumental arrangements on Heretic Pride hinder the album's melodic development more than they help.

Overall, as a huge Mountain Goats fan, I'm disappointed in this album (which is a huge bummer, since I avoided all hype and spoilers. Thanks for ruining my 21st birthday, John). It's more-or-less a solid album, but Pride definitely lacks the punch of previous albums. I never really missed the lo-fi hiss of his earlier albums because the later ones had really interesting lyrical content and spot-on vocal performances. But with weak arrangements and shy vocals, I'm starting to miss the tape recorder.

Mountain Goats Website

(April Wright)

Three New Songs From The Mountain Goats

Download: The Mountain Goats - "Sax Rohmer #1" (via Stereogum)
Download: The Mountain Goats - "Lovecraft In Brooklyn"
Download: The Mountain Goats - "San Bernardino"

Earlier today, Stereogum posted a new Moutain Goats track called "Sax Rohmer #1" from the Goats' upcoming February release Heretic Pride. The song starts with heavily accented eight-note acoustic strumming which is matched precisely by the drums. The song as progresses, the music breathes a little more, though there is still plenty of that fierce John Darnielle vocal delivery that we all know and love--particularly on the lyric "I am coming home to you/with blood in my mouth/I am coming home to you/if it's the last thing I do". All in all, the song definitely bodes well for Pride being a more hopeful contrast to Get Lonely (which wouldn't be hard to do, but still).

Additionally, two more tracks from Heretic Pride have come to light. "Lovecraft In Brooklyn" is a rocker with a frantic, syncopated bass line, electric guitar, organ and violin, all of which help capture the hectic nature of "trying to keep the wolves at bay" and "waking up afraid of my own shadow/like, genuinely afraid". Oh, the danger of big city life.

Secondly, the heartfelt, peaceful strings of "San Bernadino" stand in direct contrast to the chaos of "Lovecraft In Brooklyn." From what I can tell, "San Bernadino" tells the tale of a romantic getaway, perhaps to a bed-and-breakfast. No matter the subject of the song, the warm, intimate nature of "San Bernadino" is what makes the song absolutely fantastic. Once we get our hands on the physical record (that's February 18th, for those of you keeping score), we'll give mad props to whomever arranged the strings.

Here's the cover:



Pre-order Heretic Pride here

Mountain Goats MySpace Page

(Jonathan Graef/April Wright)